I have just updated the online member update form to also include fields for entering your Social Media Handles/IDs for InstaGram, Twitter & Facebook if you wish to have them included in a future edition of the Member’s Directory.
I have not yet decided on how I will present this information in the directory. I am thinking either as added lines in everyone’s basic information in the first section, or as a whole new section listing just social media Handles/IDs for members that have included that information for the directory.
You can find the link in the left sidebar or you can just CLICK HERE to go directly to the form.
The bundles for April and May were both filled with some great and diverse letterpress printing. The calligrapher in me really liked the April envelope with the bold print and hand lettered “Easter”… A great beginning to the treasures inside.
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1. Jessica Spring, Springtide Press #738: April Spring Tidings Postcard.
Jessica is one of the masters of letterpress ornaments, and playful ornamental designs. I love everything she creates and learn from her design and color esthetics. Now to think of who to mail the card to…
2. John Horn, Shooting Star Press #553: Small Booklets: The Raven [April] & I Have a Dream [May].
John is one of our master letterpress printers and his small book series, linotype-set and printed on his C&P, reflect his precision and skill. The booklets are not overly designed but the typography is spot-on in a Bruce Rogers-way, allowing the text to reach the reader uninterrupted. And undertaking the task of printing a book rather than single sheet small ephemera is to be recognized, especially when printed so well! And re-printing Martin Luther King’s iconic speech in its entirety is timely and very welcome. Thank you, John.
3. Heather Hale, Hale Press #829: The April Jim Daggs Refrigerator Award for her Life’s Journey quote.
Absolutely believe in the full experience of life’s journey! Several people come to mind with this quote, and leave me with a smile knowing some details of their journey, and one is my friend Dave Peat! Heather, excellent choice of the dingbat and the pattern ornament in the background. Beautiful!
4. Larry Johnson, Pelican Type Foundry #982: His Prop Card.
The filigree design on the caps is well suited to the line-cut of the pelican. Simple but very nicely designed with great type and well printed on a paper that reminds me of the clouds at the ocean… and using movable metal type that you cast yourself is always a winner! Look at his prop card, visit his website, order some type and ornaments and print for the bundle.
5. And finally, Joyce Gabriel #961: The May Jim Daggs Refrigerator Award for her coaster Ink, Drink & Press On!
Got to love ornaments, blue ink and ampersands, especially on a coaster. Happens to also be one of the mottos of my printing shop. Not sure how long this coaster will last on my refrigerator, though!
Keep up the great printing, typography and design, keep the bundles full and look forward to seeing many of you in August at the Haverhill Wayzgoose at the MOP.
Before delving into the Collective, I want to thank a few people (actually everyone) that I met when I randomly showed up at the Wayzgoose in St. Louis in 2016. I did not know anyone, but you were a most welcoming and encouraging group. So, in no particular order, thanks to: John Horn, Jason Wedekind, Adam and Tammy Winn, Jeff Waldvogel, Stephanie Carpenter, Mark Barbour, and Scott Moore . . . you all kindled the fire of my smoldering, creative soul at the Wayzgoose. Thanks for the addiction.
The 2020 APA Collective. In June of 2020, I sent to the APA membership a Call for Interest to contribute to a poster collective. Nothing unusual there, as poster collectives and exchanges are common within letterpress communities everywhere. The challenge was to create something unique—something that would allow me to engage with contributors throughout the duration of the collective calendar and not just at the beginning and the end.
At the time, I was at the end of curating another poster collective within a Texas-based letterpress community that featured a border set I acquired in the Grisenti Auction at the 2018 Denver Retro’goose. I organized that Collective to run in a relay format where the Grisenti (Wm. H. Page, ca. 1880) border set traveled across the state from studio to studio. It ran so well with the eleven Texas studios who participated that I decided to utilize the same format for the APA Poster Collective.
The logistics of three relays running at the same across the United States required some thought and planning on the front end, specifically identifying a border font that I had enough sorts in to split across the three regions. Thankfully, I had a large font of Hamilton’s Minneola Wood Border (ca. 1905). Minneola proved to be an ideal border, lending itself to a seemingly unlimited application in illustrative and decorative design.
The Scope of Work for the APA collective included: using an English Idiom as the theme prompt; using, at a minimum, the common required sort from the Minneola Wood Border; and adhering to the tone and dimensional outlines. Each of the contributors combined the required elements from the Scope of Work with assets in their own studios to create their posters. Even with the common sort from the border, there were no repeated idioms or creative concepts duplicated. The contributors embraced a broad range of approaches and creative interpretations.
I initially estimated fifteen APA members might be interested in this collaborative, but when the interest grew, I got a little nervous. I thought a relay with two-dozen legs would take way too long to finish, threatening to lose momentum. So, instead of a single relay, I came up with the idea for three separate relays that would run concurrently across the United States geographically. Crazy, I know, but the relays ran wonderfully thanks to the disciplined and creative APA members who participated. I cannot thank you enough.
The resulting Collective is a wonderful portfolio of creativity and craft. The plans are for the Collective to be displayed at the 2021 MOP Wayzgoose in August where there will be a Collective auctioned off for the benefit of the APA! Hope to see you there.
— About the Minneola Wood Border used in the Collective: The Hamilton Mfg Co. produced the Minneola Wood Border as it was advertised in a 16-page circular series Specimens of Hamilton’s Wood Type Cut on End-grain Rock Maple published (likely) early in 1905, but no earlier than December 9, 1904. Additionally, though it is not clear what connection this border design may have to its name, Minneola is a town in eastern Minnesota, whose name is derived from the Dakota language. Minneola is also the name given to a hybrid cross between a Dancy tangerine and a Duncan grapefruit, developed in the early 1930s. According to Google’s n-gram, the word hit its peak usage in English in 1907. — as dated by wood-type researcher Professor David Shields
I’m a little late posting my Honor Roll for the March bundle due to a 3 week trip to New York for a rental of printing equipment from the Printing Museum for an HBO series, “The Gilded Age”; we set up a full 1880’s working newspaper shop. Look for on the small screen next spring!
My highlights of the bundle each month is purely personal and subjective, with the overall hope that all of us would reach out to fellow APA members whose printing impresses or inspires us, whether in a postcard or by email or by phone. If you don’t have the necessary contact information, just reach out to Katie Roeck, Secretary or by checking the online member database on the members-only group website
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1. Nils Young #537: 90th BIRTHDAY CARD
Ornaments, borders and vintage type has always been a fast way to my heart. I can curl up in bed with bed with a BB&S Type Catalog while my wife looks at me puzzled with some novel in her hands! Nils did a great job with the use of the ornaments in a way not to overwhelm the design (look at those corners!), and the hierarchy of the information is maintained with the the other decorations and changes in type styles along with the subtle use of color (5 colors!). Excellent letterpress printing as well… great job Nils!
2. Rich Hopkins #226: WRONG FONTS
Rich is one of our oldest APA members, now celebrating 60 years of active membership. Besides being an excellent letterpress printer, his design work and typography is always first-rate. And as the Godfather of ATF and all things Monotype, virtually everything he prints is from type he has cast himself at his Hill & Dale Type Foundry. This piece is no exception and is a beautiful and creative way to express a needed message to the membership; “Wrong Fonts” is full of history and wisdom from one of our letterpress elders. Thanks Rich, and I do love those ornaments!
3. Gregory Jackson Walters #777: ANNUS HORRIBILUS
The simple but powerful design of Gregory’s piece made me stop and think about the year 2020 that we have all just experienced, with its emptiness on many levels reflected in his use of outline type. Now that we are in 2021 and things continue but with a bit more hope, maybe it will be shaded. Please take the time to read his card and his personal note inside. I know that 2021 continues to be a challenge for our dear printing friend. Gregory, you were able to say so much with so little, and without using the word COVID.
4. And for my Jim Daggs Refrigerator Award
Jeff Walgren #975: LAZY PEOPLE COASTER
This actually made it to my kitchen counter rather than my fridge, but I have entertained quite a few people with it… haven’t decided what drink to put on it (maybe I’m just being lazy about the decision!).
Note from Lance Williams, #785, Web Manager: As I keep posting these for Mark, I hope I am getting a little better each time… Please let me know what you think with the changes in format from month to month and any suggestions for improvement….
Now that it is the time to honor St. Patrick, thought it would be a good time to give some presidential honor to the February bundle submissions. One of my goals as president is to recognize the letterpress efforts of our members and hopefully encourage a pursuit of excellence, or at least improvement, in our design, typography and printing. And that feeds into my other goal, which is to dialog with each other. These are my choices for the February Honor Roll and I admit they are subjective to my humble opinions, but don’t hesitate to reach out to a fellow APA-er that inspires you, with an email or a postcard or a call.
1. Carol Clifford, Orange House Press #948: For her striking 2-color Tomato Print. I really love the bold, rich red and the woodcut style of the overlapping black and red that gives the feel of a third red-tint color. Great job Carol getting a large solid red that makes this tomato so appetizing; it’s on my fridge now! And your ornamental Hope is a Good Thing was a runner-up… I’m a sucker for ornaments and filigree!
2. Chris Bayley #923: Every submission by Chris features his amazing wood engraving skills and deserves recognition. The smallest details in the stonework and the plants really pop with Chris’s excellent printing. Well composed design with my eye starting at the top of the columns heading left and down through the type to Chris’s name in the lower right then back up with the neck of the stork to the right; all of this adds subtle visual movement and meaning to the text.
3. Michael Grossman #958: Cease to Be A Drudge is a fun use of a rule form and used simply and creatively to graphicly illustrate the text. Nothing exciting about a rule form but printing it in four colors to create an interesting, vibrating but subtle background makes a great use of an otherwise useless cut! Michael, in the spirit of Mary McLeod Bethune, you are indeed an artist.
4. And for the Jim Daggs Refrigerator Award this month, I couldn’t stop laughing at Michael Addison’s #819 "Prayer in School" card. As I walked toward the fridge, I shared it with my wife Lori who also laughed with a smile. That’s a winner! I left it up for one night so that my 22-yr old daughter would enjoy it when she walked in around 2 am. Thank you, Michael!
Director and Curator,
International Printing Museum